Show Description, continued:
Just as early Christians used Pagan symbols to build a practice of worship, Murphy weaves Catholic—specifically Marian—imagery into her work, stripping parts of it back to it’s most magical, witchy, feminist roots. She is fascinated with religious art, and mines it for traces of traumatic experience illustrated by metaphor.
Such a collision of ideas parallels Lionel Murphy’s own unlearning and retelling as she grew up and left her rural brand of midwestern conservative Catholicism. In a rural place without museums, churches held the greatest access to painting and sculpture. Returning to the midwest after an arts education and living in various cities, it has been healing to layer violent, erotic, queer, feminist, and political subjects upon catholic symbols.